When Brooks Benjamin was shooting "Boys of Summerville" last June in his hometown of Kingston and nearby Harriman, Rockwood, Oak Ridge, Alcoa and Maryville, he was thinking of green outfields, not red carpets.
But Thursday night, Benjamin and his cast and crew will get the Regal treatment when "Boys of Summerville" has its premiere at 7 p.m. at Regal Cinemas' Downtown West theater.
Benjamin, a filmmaker who earns a living as a schoolteacher, had met Regal's Ted Hatfield, director of film marketing, and Jon Douglas, alternative film marketing manager, when he was trying to promote his first independent film, the thriller "Point of Fear." He sent them the trailer for "Boys of Summerville" in hopes of receiving feedback.
"I got an e-mail from Jon that day saying that we need to have a screening at the Regal and kick it off for the festivals and have a big, red-carpet-type event," says Benjamin. "All of a sudden a publicist came on and people started taking these roles on - pro bono, thank God.
"It's starting to become a much bigger event than I anticipated, which
makes me nervous … But I'm very excited for these actors and the
crew. They put a lot of work into the movie. I'm glad this is gonna
happen for them."
When Benjamin started writing the "Summerville" script in late 2005,
he crafted it as a mockumentary about small-town softball. By the time
it was finished the next year, it was a feature-length romantic comedy
about a young man, Peter (Casey Payne), who returns to his
hometown to sell his late father's house and winds up falling for a
tow-truck driver, Sam (Allison Varnes), getting pulled into the town's
obsession with softball and coming to terms with the father he has
long resented.
Inspiration came from the director's own father, Charles Davis
Benjamin, who died of cancer in February 2000. Details in the
opening narration mirror the father's big-league dreams.
"My father was a baseball player and was recruited by the Atlanta Braves, and then when he got down there and they did the physical, they found that he had tunnel vision," says Benjamin. "He was a catcher, and you have to have really good peripheral vision to be a catcher."
Benjamin says his father knew of his condition but didn't mention it to the Braves.
"It was the chance of a lifetime," he says.
Benjamin, who once dreamed of composing film scores, sold some land - "basically my inheritance" - to finance "Summerville," though he didn't think his dad would approve.
"I'd do it all over again," he says. "I got to make a movie. That's one of my dreams."
Benjamin used savings to make "Point of Fear." When it started playing at film festivals in 2006, it caught the eye of Keith McDaniel, founder/director of the Secret City Film Festival in Oak Ridge.
"It was a really ultra-low-budget film, but I knew Brooks was the creative force behind it," says McDaniel, a documentary filmmaker whose "The Clinton 12" has won numerous awards. "He wrote it, he directed it, he shot it. He did everything on it. I just saw something there."
McDaniel asked if Benjamin had anything else in the pipeline, and Benjamin sent him the script for "Summerville." McDaniel offered to do whatever he could to help get the film made. He ended up as executive producer.
"I probably didn't do everything that an executive producer would do," McDaniel says. "I knew what I was going to be able to do, and I told Brooks that up front, and that was to … help guide him through some things, help cut some deals."